You Don't Say
John McIntyre, whom James Wolcott calls "the Dave Brubeck of the art and craft of copy editing," writes on language, editing, journalism, and other manifestations of human frailty. Comments welcome. Identifying his errors relieves him of the burden of omniscience. Write to firstname.lastname@example.org, befriend at Facebook, or follow at Twitter: @johnemcintyre. Back 2009-2012 at the original site, http://weblogs.baltimoresun.com/news/mcintyre/blog/ and now at www.baltimoresun.com/news/language-blog/.
Monday, August 10, 2015
I suggest a different little book: The Old Editor Says, a compendium of a career's worth of reliable maxims for every ink-stained wretch.
Favorable notices from, among other worthies, Jan Freeman at Throw Grammar From the Train, Stan Carey at Sentence First, and Steve Buttry at The Buttry Diary, have not been rescinded.
You can also listen to The Old Editor himself read selections at a Grammar Girl podcast.
The Old Editor himself is available to harangue students, writers, editors, and interested civilians, at very reasonable rates. Write to him at email@example.com
Thursday, June 18, 2015
Writers want to enliven their prose by making use of metaphors and other ornamental language. But laudable as the goal is, they are also prone to misjudgments that they have trouble recognizing without the patient assistance of an editor.
The conference will include examples from my extensive store of defective prose, and you will be invited to comment on them. Or argue with me about them, if you think that will get you anywhere.
The conference runs this coming Monday, June 22, 11:30 a.m. to 1:30 p.m. EDT, and there is still time to sign up.
Saturday, May 23, 2015
Sunday, March 1, 2015
Rudolph Giuliani, one-time mayor of New York, told a group of conservatives that he doesn’t think that President Obama loves America, which invites us to consider what America he is talking about.
Saturday, February 28, 2015
Friday, December 12, 2014
Internships at publications are a double advantage for students: They gain invaluable practical experience in reporting, writing, and editing, and a successful internship is often the surest route to permanent employment (or to such permanence as journalism offers these days).
The Cleghorn internship is a paid internship, and the number of internships offered each year depends on the contributions to the fund. I have written a check again this year (all right, I'm a trustee of the foundation; it's the least I could do). I suggest that you consider what it was like when you were starting out in the business, how much you benefited, or would have benefited, from such an internship, and how much you are able to help give the rising generation a boost.
Your check is an investment in the future of the enterprise, which badly needs promising students with proper grounding in the craft. Here is a link to the contribution form. The mailing address is 60 West Street, Annapolis, MD 21401.
Monday, December 1, 2014
While you are online, marshaling your forces for Christmas shopping, allow me to suggest that The Old Editor Says would be an excellent choice for that student, that aspiring writer, that editor, that stickler, that annoying know-it-all on your list.
A slim volume of fewer than seventy pages of pithy sayings, it distills three decades' worth of editing lore and wisdom, and it is cheap.
The Old Editor Says has been received favorably by Stan Carey of Sentence first, Steve Buttry of The Buttry Diary, Dawn McIlvain Stahl at Copyediting, and Mignon Fogarty, who invited The Old Editor to do a Grammar Girl podcast.
Available in print form or on Kindle.
We regret intruding with a commercial message, but there is no one else to flog that damn book.
We return now to regular programming.
Wednesday, November 12, 2014
Scout, who was my afternoon companion and consolation during the long, fruitless job search of the [cough] hiatus [cough]. Scout, who after a year of declining health lost her vision and had to be euthanized at the age of fifteen. Scout whom we mourned--I found myself on getting up every morning looking to see if she was in the window or on the sofa.
We were not going to acquire another cat. We were in mourning. And Kathleen, who loves cats, is allergic to them.
Then, a week ago as she was working in the yard, a cat whom we had noticed in the neighborhood, a handsome but skinny orange male, walked up to her and said in fluent Cattish, "I'm hungry. Feed me."
Of course she took pity, and put out some food and water, and the cat ate ravenously. He has wandered away from someone or has been abandoned, we thought. We'll feed him for a couple of days and make inquiries around the neighborhood. If no one claims him, we'll have to call animal control, because we can't take on another cat.
Then the weather turned cold and I weakened. I let him into the house Friday, and he made himself at home. He is a genial cat. He loves to sit with people. He's a purring machine.
Fatefully, we named him, calling him Saunders, and you know what that means.
So on Monday, a trip to the Belvedere Veterinary Center for an expensive series of shots and tests (he charmed the staff), and now I have invested in him.
He is sitting at my feet as I type, wondering when I am going to give up this frivolity and return to my proper duty of paying attention to the cat.
On my way, Mr. Saunders.
Sunday, November 2, 2014
Today, November 2, the Feast of All Saints was translated to the Sunday morning service at Memorial Episcopal Church, and I was there with the thurible* to smoke up the joint.
(Those of you who are not liturgically minded may want to absent yourselves at this point. I will be returning to secular subjects tomorrow morning.)
The Episcopal Diocese of Maryland is traditionally a Low Church diocese, and it was exceedingly Low when my wife and I arrived here twenty-eight years ago. Incense, in particular, provoked reactions of dismay and horror as a Romish practice. It took years of wearing down opposition to establish its use on a certain number of festival days.
All Saints' is one of these festivals. The texts speak of "clouds of witnesses," and clouds I provide.
The use of incense, of course, is very old, antedating Christianity. Incense was burned as a sacrifice at the Temple in Jerusalem, as well as at the altars of virtually all religions in antiquity. Early on, Christianity ripped off the practice from Roman civic ceremonial, in which processions of civic officials in the streets were preceded by a thurifer with incense as an emblem of authority.
The major metaphoric sense with which incense is associated is the image of prayers rising to heaven with its smoke. But there are other associations. Incense was thought to purify, and because it was expensive, it was a worthy gift. Its function, the late Marion Hatchett explains his his Commentary on the American Prayer Book, is "honorific, fumigatory, and festive."
Or, as the Rev. James L. Jelinek, later bishop of Minnesota and the priest who presided at our wedding, liked to say, "It's for the nose." When incense is included at the Eucharist, all five senses of the body are involved, and smell is one of the most evocative associations. Incense smells like church.
Some, and they are vocal in making this plain, dislike it for physical reasons as well as theological ones and find it oppressive. But the pure Somalian frankincense that we use at Memorial is proudly labeled by the purveyor, the F.C. Ziegler company, as hypo-allergenic. I am not troubled at all by it, and I am standing directly above the pot (though it is true that I smoked a pipe for forty years, which may have inured me to fumes).
The Feast of All Saints, in which we commemorate the heroes of the faith, gets inevitably entangled with the Feast of All Souls, in which we mark the memory of all the faithful departed. And so, at Memorial today, incense was used not only at the entrance, exit, and censing of the altar at the offertory, but also at the reading of the names members of the the congregation had submitted to be particularly remembered.**
All Saints' is one of those days on which one wants it all: the Vaughn Williams setting of "For all the saints," the choir singing Anglican chant, a brass choir accompanying the hymns, the Elgar "Lux Aeterna," the solemn reading of names, and the aromatic smoke rising among the voices and prayers of the people.
*Thuirble, the censer in which incense is burned, from the Latin thurbibulum, ultimately from the Greek thyos, "incense, "sacrifice."
**Among those numbered today were Lucien Lundy Early, Clara Rhodes Early, Raymond McIntyre, and Marian Early McIntyre.
Saturday, September 20, 2014
Fleming County, Kentucky, on the edge of the Bluegrass and Appalachia, was pretty much white in the 1950s and 1960s. The African-American population was small, and there were no Asians and Hispanics.
It was not only white, but overwhelmingly Protestant. There were some Roman Catholic families, mainly descended from the German migration into Cincinnati and Northern Kentucky of the mid-nineteenth century, and there was one Jewish family, but the Lord's Prayer that we recited at the beginning of each school day was the Protestant version.
The casual prejudices of the time were much in evidence. I recall hearing one prominent burgher and pillar of the Methodist Church complaining that the Jews had their hands in his pockets, and I recall one pillar of the Presbyterian Church explaining to me that Negroes were intelligent according to the proportion of "white blood" in them. The numerous homophobes were less genteel in their expressions.
And, as in much of America, credentials were held in higher esteem than actual learning. Growing up, I must have heard some version of "He's got book sense but no common sense" a thousand times.
Reading Sinclair Lewis's Main Street at fourteen was a revelation of the pervasive narrowness of that rural culture. At the first opportunity, when I was eighteen, I "went North" to college. I returned home for four summers, left for graduate school at twenty-two, and have never been back, except for brief visits.
Mind you, I remain a son of Kentucky. My accent broadens when I'm there. There are friends of my youth with whom I am still in touch. I stand when the band plays "My Old Kentucky Home" on Derby Day. My parents and grandparents lie at rest on a hillside in the cemetery in Elizaville. I remember, and miss, the scent of the locust trees blooming in late spring. And I am in line to inherit what remains of the family farm, in the family since 1862.
But I neither miss nor long for that insular white, evangelical Protestant, anti-intellectual culture I grew up in, or its many bigotries, genteel or otherwise.
It is not coming back, and it ought not to.